Lyrics: Noah Lewis
Music: Noah Lewis
A song written in the 1920's and played by the Dead right from 1966 through to 1995. Bob Weir has also played it with most of his solo bands.
This is the version the Dead sang most of their career, though not all verses were sung each time. It was recorded as "All New Minglewood Blues" on "Shakedown Street":
I was born in a desert, raised in a lion's denThe version on the Dead's first LP (called "New New Minglewood Blues") was rather different:
I was born in a desert, raised in a lion's den
And my number one occupation is stealing women from their men
Well I'm a wanted man in Texas, busted jail and I'm gone for good
Well I'm a wanted man in Texas, busted jail and I'm gone for good
Well the sheriff couldn't catch me
But his little girl sure wished she would
Yes and the doctor call me crazy, some says I am some says I ain't (note a)
Yes and the doctor call me crazy, some says I am some says I ain't
The preacher man call me a sinner, but his little girl call me a saint
Well a couple of shots of whiskey, women round here start lookin' good
Well a couple of shots of whiskey, women round here start lookin' good (note b)
Couple more shots of whiskey, I'm goin' back to Minglewood
It's T for Texas, yes and it's T for Timbuctoo (note c)
It's T for Texas, yes and it's T for Timbuctoo
Yes and it's T for [San Francisco - or wherever!]
Where the little girls know what to do
I was born in a desert, raised in a lion's denNotes
I was born in a desert, raised in a lion's den
And my number one occupation is stealing women from their men
If you're ever in Memphis, better stop by Minglewood
If you're ever in Memphis, better stop by Minglewood
Well take a walk down town, the women sure look good
If you can't believe me, don't make it hard to believe in you
If you can't believe me, don't make it hard to believe in you
'Cause we all need each other, well you know it's true
| Grateful Dead Recordings | |||||
| Date | Album | ||||
| studio 1967 | The Grateful Dead (first album) (note 1) | ||||
| 29 Apr 1971 | Ladies And Gentlemen ... The Grateful Dead | ||||
| 25 Sep 1976 | Dick's Picks Vol 20 | ||||
| 28 Sep 1976 | Dick's Picks Vol 20 | ||||
| 9 Oct 1976 | Dick's Picks Vol 33 | ||||
| 21 May 1977 | Dick's Picks Vol 29 | ||||
| 3 Sep 1977 | Dick's Picks Vol 15 | ||||
| 5 Nov 1977 | Dick's Picks Vol 34 | ||||
| 29 Dec 1977 | Dick's Picks Vol 10 | ||||
| studio 1978 | Shakedown Street | ||||
| 5 Feb 1978 | Dick's Picks Vol 18 | ||||
| 11 May 1978 | Dick's Picks Vol 25 | ||||
| 16 Sep 1978 | Rocking The Cradle: Egypt 1978 (CD and DVD) | ||||
| 24 Nov 1978 | Shakedown Street (note 2) | ||||
| 26 Dec 1979 | Dick's Picks Vol 5 | ||||
| 16 May 1980 | Go To Nassau | ||||
| 10 Oct 1980 | Dead Set | ||||
| 6 May 1981 | Dick's Picks Vol 13 | ||||
| 24 Jul 1987 | View From The Vault IV (DVD & CD soundtrack) | ||||
| 3 Oct 1987 | View From The Vault III (DVD & CD soundtrack) | ||||
| 14 Oct 1989 | Weir Here: The Best Of Bob Weir | ||||
| 8 Jul 1990 | View From The Vault (video/DVD & CD soundtrack) | ||||
Recordings from dead.net Tapers Section
"The Dead" Concert Recordings
| Bob Weir Recordings | |||||
| Date | Album | Recorded By | |||
| 3 Apr 1976 | In Concert (King Biscuit Flower Hour) | Kingfish | |||
| 25 Apr 2001 | Live At The Roseland | Ratdog | |||
Ratdoglive CDs and downloads
Phil Lesh and Friends Digital Download Series
I was born in a desert, raised in a lion's den"New Minglewood Blues" was itself a complete rewrite of the song "Minglewood Blues" that Noah Lewis had previously recorded with Canon's Jug Stompers in 1928:
I was born in a desert, raised in a lion's den
And my regular occupation is seeking women from other men
When you come to Memphis, please stop by Minglewood
When you come to Memphis, please stop by Minglewood
There women [??] don't mean no man no good
Don't you never let no woman worry your mindFor more background, see the pages on Minglewood Blues and In Search Of Minglewood on the Roots Of The Grateful Dead site.
Don't you never let no woman worry your mind
Then she keep you worried, worried all the time
Don't you wish your [?faro] was little and cute like mine
Don't you wish your [?faro] was little and cute like mine
She's a married woman, but she comes to me sometime
Well I got a letter Lord, and you heard it read
Well I got a letter Lord, and you heard it read
Baby I'm coming back baby, and now be on your way
You ever go down to Memphis, stop by MinglewoodJohn L Yarbro, Jr. sent me an email with additional background:
You ever go down to Memphis, stop by Minglewood
You Memphis women don' mean no man no good
"New Minglewood Blues was originally written about a company mill village, Menglewood, Tennessee (built by the Menglewood Box Company) which my grandfather purchased along with the former woodlands in the 1920's, cleared and farmed. The property is still in my family. My father grew up in Menglewood, but it was a lot tamer after my grandfather moved his people there. Local history about Menglewood as a company town paint it as wild and wide open with whiskley, women and gambling. Menglewood is located about 78 miles north of Memphis, Tennessee, alongside the Obion River which is in the Mississippi River floodplain."
"This image is from 1938 I think, as it shows my father holding a horse in front of the old office building, which my grandparents used as a home from 1921 till 1939, when they moved permanently to Dyersburg. That would put my father at about age 17. There is someone sitting up on the porch, holding a child with a dog standng in front of them too. I imagine that would be my grandmother, but I haven't been able to zoom in well enough to know for sure. Note how high the structure is off the ground. This allowed it to be occupied during the yearly floods. I remember my father showing this building to me as a child in the 1960's as well as another structure. He also explained how the village was laid out,which by that time was mostly gone. I remember him talking about the ark(?) a road where gambling houses and such had been, which after my grandfather took over had been razed and ploughed over. My father told me they would often find coins out there when plowing or after a rain. All that now remains are a concrete vault that was inside the office building and the old millworks which consist of concrete boiling vats and brick furnaces."